Mostrar mensagens com a etiqueta workshop. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta workshop. Mostrar todas as mensagens

quinta-feira, 6 de janeiro de 2011

A Joint Consideration of the Study of Prehistory in Britain and Portugal: Towards a Critical Understanding of Time, Space, Practice and Object in the

Lesley McFadyen



Workshop January 2011


A Joint Consideration of the Study of Prehistory in Britain and Portugal: Towards a Critical Understanding of Time, Space, Practice and Object in the Prehistoric Past

Location: Faculdade de Letras da Universidade do Porto, Porto

Dates: Friday 28th and Saturday 29th January 2011

Organised By: Sérgio Monteiro-Rodrigues (DCTP-FLUP) and Lesley McFadyen (DCTP-FLUP)

Sponsored By: Departamento de Ciências e Técnicas do Património da Faculdade de Letras da Universidade do Porto (DCTP), Centro de Estudos Arqueológicos das Universidades de Coimbra e Porto (CEAUCP) - Research Group ‘Espaços e Territórios da Pré-história’, Universidade do Porto, and the Fundação para a Ciência e a Tecnologia.

This workshop brings together researchers that work on Mesolithic, Neolithic, Chalcolithic, Bronze Age and Iron Age sites in Britain and Portugal. There have been many conferences on monumentality in prehistory, the nature of prehistoric occupation, and the social meaning of space and time in the past. These conferences have been important in introducing several key speakers and their theoretical approaches, and without a doubt they have produced major changes to the ways in which we perceive our archaeological evidence. The focus of all of this thinking has not however come directly from the evidence but from the significance of our perceptions of it, and so often the detail has become secondary to ideas and methodologies. This workshop wants to kick-start discussion by making sure that research comes from, and follows, the materials themselves. The workshop organisers have therefore invited several of the participants to present aspects of the prehistoric sites that they work on, and from this detail we will move back into a series of structured debates on our understandings of time, space, practice and object in the prehistoric past. The workshop organisers have also invited several of the participants to chair and maintain the structure of the debate in each session. The two days are organised as a workshop in order to encourage as much debate as possible about the case studies and the issues that are involved in the study of prehistoric sites. Our conviction is that joint discussion and collaborative knowledge, rather than individual formal presentations, make a more effective medium within which to work.

The workshop is a small-scale event with a maximum of 40 participants. We welcome the participation of developer-funded archaeologists that undertake research on prehistoric sites, as well as those that study prehistory in the university from the level of Masters Student to Professor. Whilst most of the case studies will be presented in English, we also encourage discussion in Portuguese. The small-scale nature of the event, and the informal setting, are therefore vital in working between the two languages and ensuring understanding.

Themes of the Sessions:

Session 1: The Question of Architecture

More often than not our accounts of prehistoric sites focus on an architectural object, whether this be a building defined by its walls or a series of phased structures. But this understanding offers only a limited understanding of the dynamics and materials that are involved in the practice and use of lived space. This session questions the hierarchy in knowledge of architecture that sets up design over use, object over practice.

There have been many critiques in archaeology of the prescriptive way in which we perceive and understand architecture (S. Oliveira Jorge 1999 and Thomas 1993). At the same time, it seems that it is very difficult for us to leave this legacy behind in our approaches to our archaeological evidence. What do we need to do? Is it enough to leave architectural terms out of our descriptions due to the dominant view that they conjure up? Is a change in terminology enough? Does this make a major change to the ontology of Design and Form that is embedded in thinking Architecture?

Session 2: Architecture as Practice

A recent field of study, formed from the convergence of archaeology and anthropology (V. Oliveira Jorge et al. 2006), is the study of the ways in which people inhabit, perceive and shape their environments, in currents of space, time and movement. Departing radically from the conventional archaeologies of architecture, which treat buildings as objects of analysis, work at the level of practice suggests that we need to think in a different way about inhabitation. Rather than thinking of inhabitation as an activity that comes after architecture, these practices can instead project forward and create the conditions for building. This session explores the currents of time, space and movement that are made manifest in prehistoric archaeological evidence.

Session 3: How Material Culture and Architecture Relate to One and Other

This session explores research at the scale of materials, from a range of sites that deal to different degrees with issues of occupation and monumentality. It investigates the detail and dynamic of deposition in the past. It considers the significance of the temporal trajectory in the evidence, and how it reconfigures accounts of the making and unmaking of space in prehistory (Brudenell in Brudenell and Cooper 2008 and Knight in Garrow et al. 2005).

Session 4: The Nature of Prehistoric Inhabitation

Over a decade ago, the anthropologist Tim Ingold asked the question ‘..where, in an environment that bears the imprint of human activity, can we draw the line between what is, and is not, a house, or a building, or an instance of architecture?’ (Ingold 1995).

Prehistory has moved from the study of monumentality over occupation, culture over nature, architecture over place, to an archaeology of dwelling. This session follows materials through networks of action (Pollard 2008), looks closely at how these practices extend out to create lived space in prehistory, and debates the nature of the relationships that were involved (Rodrigues et al. 2007).

References

Brudenell, M. and Cooper. A. 2008. Post-Middenism: Depositional Histories on Later Bronze Age Settlements at Broom, Bedfordshire. Oxford Journal of Archaeology 27(1): 15-36.

Garrow, D; Beadsmoore, E. and Knight, M. 2005. Pit Clusters and the Temporality of Occupation: an Earlier Neolithic Site at Kilverstone, Thetford, Norfolk. Proceedings of the Prehistoric Society 71: 139-157.

Ingold, T. 1995. Building, dwelling, living: how animals and people make themselves at home in the world. In Strathern, M. (ed.) Shifting Contexts: Transformations in Anthropological Knowledge, 57-80. London: Routledge.

Oliveira Jorge, S. 1999. Revisiting some earlier papers on the late prehistoric walled enclosures of the Iberian Peninsula. Journal of Iberian Archaeology. 5: 89-135.

Oliveira Jorge, V; Cardoso, J.M; Vale, A.M; Velho, G.L. and Pereira, L.S. (eds.) 2006. Approaching ‘Prehistoric and Protohistoric Architectures’ of Europe from a ‘Dwelling Perspective’. Special edition of the Journal of Iberian Archaeology. 8.

Pollard, J. 2008. Deposition and material agency in the Early Neolithic of southern Britain. In Mills, B.J. and Walker, W.H. (eds.), Memory Work: Archaeologies of Material Practices, 41-59. Santa Fe: SAR Press.

Rodrigues, S.M; Figueiral, I. and López Sáez, J.A. 2007. Indicadores Paleoambientais e Estratégias de Subsistência no Sítio Pré-histórico do Prazo (Freixo de Numão – Vila Nova de Foz Côa – Norte de Portugal). Actas do III Congresso de Arqueologia de Trás-os-Montes, Alto Douro e Beira Interior – Debates no Vale do Côa, organização do Ministério da Cultura, Instituto Português de Arqueologia, Parque Arqueológico do Vale do Côa, Centro Nacional de Arte Rupestre, ACDR de Freixo de Numão e Câmara Municipal de Vila Nova de Foz, no prelo.

Thomas, J. 1993. The Politics of Vision and the Archaeologies of Landscape. In Bender, B. (ed.) Landscape: Politics and Perspectives, 49-84. Providence and Oxford: Berg.

Workshop Schedule

Friday 28th January 2011

Introduction to workshop

11.00-11.15 Sérgio Monteiro-Rodrigues (University of Porto) and Lesley McFadyen (University of Porto)

Session 1: The Question of Architecture

11.15-11.45 Thinking Prehistoric Architecture Today. Vitor Oliveira Jorge (University of Porto)

11.45-12.00 Case Study Questions

12.00-1.00 Structured Debate Chaired By: Ana Bettencourt (University of Minho)

Lunch 1.00-3.00

Session 2: Architecture as Practice

3.00-3.30 The Olchon Court Cairn, Herefordshire: The Re-Invention of Architectural Tradition. Julian Thomas (University of Manchester)

3.30-3.45 Case Study Questions

3.45-4.15 Castelo Velho, Alto Douro: The Site as a Web of Actions. Susana Oliveira Jorge (University of Porto)

4.15-4.30 Case Study Questions

Break 4.30-5.00

5.00-6.00 Structured Debate Chaired By: João Muralha (University of Porto)

6.00 Workshop drinks reception, followed by workshop dinner

Saturday 29th January 2011

Session 3: How Material Culture and Architecture Relate to One and Other

1. Architectural Sequence and Material Culture Deposition

9.30-9.50 Depositional Pratices and Pits in the South of Portugal during the Bronze Age: The Case of Montinhos 6 (Serpa). Lídia Baptista (University of Porto)

9.50-10.00 Case Study Questions

10.00-10.20 The Temporalities of Occupation and Deposition of Broken Pottery at an Enclosure Site and a Pit Site in Neolithic Britain. Mark Knight (Cambridge Archaeological Unit)

10.20-10.30 Case Study Questions

2. Sherd Stories and Other Artefacts

10.30-10.50 Sherd Biographies and the Dynamics of Ceramic Deposition on Late Bronze Age and Early Iron Age Settlement Sites in Eastern England. Matt Brudenell (University of York)

10.50-11.00 Case Study Questions

11.00-11.20 How fragments of pottery tell a story of stratigraphy. Dulcineia Pinto (University of Porto)

11.20-11.30 Case Study Questions

Break 11.30-12.00

3. Architecture as Material Practice

12.00-12.20 Sherds as Materials: Examples from Castanheiro do Vento, Alto Douro. Ana Vale and the Castanheiro do Vento Team (University of Porto and University of Tomar)

12.20-12.30 Case Study Questions

12.30-12.50 Actions in Time: After the Breakage of Pottery and Before the Construction of Walls at Castelo Velho, Alto Douro. Lesley McFadyen and the Castelo Velho Team (University of Porto and University of Tomar)

12.50-1.00 Case Study Questions

Lunch 1.00-3.00

Session 4: The Nature of Prehistoric Inhabitation

3.00-3.30 Stonehenge, its Environs, and the British Later Neolithic: An Account of Prehistoric Lived Space. Josh Pollard (University of Bristol)

3.30-3.45 Case Study Questions

3.45-4.15 The connection between ephemeral structures and mobility at the Neolithic site of Prazo, Alto Douro. Sérgio Monteiro-Rodrigues (University of Porto)

4.15-4.30 Case Study Questions

4.30-5.30 Structured Debate Chaired By: Maria de Jesus Sanches (University of Porto)

Closing Discussion and Future Directions

5.30-6.00 Chaired By: Sérgio Monteiro-Rodrigues and Lesley McFadyen

Lista e breve biografia dos oradores convidados

Lídia Baptista was born in Vila Real, May 1977. Degree in History, Faculty of Arts of the University of Porto (FLUP), July 2000. Masters Degree in Archaeology, FLUP, 2004. Ph.D Student in Archaeology, FLUP, Centro de Estudos Arqueológicos das Universidades de Coimbra e Porto (CEAUCP), research grant from Science and Technology Foundation (FCT).

Ana Bettencourt is Professora Auxiliar com Agregação in the University of Minho, where she teaches prehistory. Her main subjects of investigation are Neolithic and Bronze Age settlement and funerary practices, Rock art, Paleo-environment reconstruction, Mining and metallurgy, and Archaeology and Tourism.

Matt Brudenell is a Ph.D student at the University of York, currently completing a study of pattern and variability in the production, use and deposition of Late Bronze Age and Early Iron Age ceramics in East Anglia. He has a background in British commercial archaeology, and has published several papers and reports on the later prehistoric ceramics of Eastern England.

Susana Oliveira Jorge is Professora Catedrática in FLUP, where she teaches later prehistory. Her publications include O Passado é Redondo. Dialogando com o Sentido dos Primeiros Recintos Monumentais (2005), A concepção das paisagens e dos espaços na Arqueologia da Península Ibérica (with A.M.S. Bettencourt and I. Figueiral) (2007), Arqueologia. Percursos e Interrogações (with V.O. Jorge) (1998), Incursões na Pré-história (V.O. Jorge) (1991).

Vítor Oliveira Jorge is Professor Catedrático in FLUP. He teaches later prehistory at FLUP, and is head of the research section on architecture in CEAUCP. His publications include Overcoming the Modern Invention of Material Culture (with J. Thomas) (2007), Approaching Prehistoric and Protohistoric Architectures of Europe from a Dwelling Perspective (2006), TERRA: Forma de Construir (with M. Correia) (2006).

Mark Knight is a Project Officer at the Cambridge Archaeological Unit, University of Cambridge. He works predominantly on prehistoric landscapes in the Cambridgeshire Fens with a particular interest in the Neolithic and Bronze Age. He is also a Neolithic and Bronze Age pottery specialist. Publications include journal papers on two large assemblages of Early Neolithic pottery as well as several prehistoric pottery reports in site monographs.

Lesley McFadyen is a Post-Doctoral researcher at the University of Porto, research grant from FCT. Her research examines what happens when material culture studies are directly connected to histories of architecture in prehistoric studies, and she works between British and Portuguese approaches to the evidence. She has held research positions at the universities of Cardiff, Cambridge and Leicester, and before that worked in British commercial archaeology.

João Muralha, first degree in History, and Masters Degree and Ph.D in Archaeology. He works on the practice of architecture and its relations with space in the 3rd millennium BC in the Alto Douro, Portugal. He is a researcher in CEAUCP, and has undertaken several archaeological excavations as well as conducting work in the area of commercial archaeology.

Dulcineia Pinto was born in Porto, May 1980. Degree in Archaeology, FLUP, July 2003. Ph.D Student in Archaeology, FLUP, a member of CEAUCP, and held a research grant from FCT.

Joshua Pollard is Reader of Archaeology at the University of Bristol. His research is focused on the British and north-west European Neolithic; and has included work on depositional practices, materiality, aspects of monumentality, cultural perceptions of the environment, and approaches to the study of Neolithic settlement and routine. His publications include (ed.) Prehistoric Britain (2008), Landscape of the Megaliths: excavation and fieldwork on the Avebury monuments, 1997-2003 (with M. Gillings, D. Wheatley and R. Peterson) (2008), Monuments and Material Culture. Papers in honour of an Avebury archaeologist: Isobel Smith (with R. Cleal) (2004).

Sérgio Monteiro-Rodrigues is Professor Auxiliar in FLUP, where he teaches prehistory and archaeological methodology. After research on the Lower Palaeolithic, his interests have turned to focus on the process of Neolithisation in the north of Portugal, and this was the topic of his PhD thesis.

Maria de Jesus Sanches is Professora Associada com Agregação in FLUP, where she teaches prehistory and prehistoric art. Her research covers the Neolithic to Iron Age in the Iberian Peninsula, particularly in the region of Trás-os-Montes. Her main goal is to search in what ways the human prehistoric communities interacted with the territory and how they "built" themselves in a political, social and economic point of view.

Julian Thomas is Professor of Archaeology at the University of Manchester. His principal research interests are in the Neolithic of Britain and North-West Europe, and the theory and philosophy of archaeology. He is a Vice-President of the Royal Anthropological Institute and a Fellow of the Society of Antiquaries of London. His publications include Time, Culture and Identity (1996), Understanding the Neolithic (1999), Archaeology and Modernity (2004) and Place and Memory: Excavations at the Pict's Knowe, Holywood and Holme Farm (2007).

Ana Vale is a Ph.D student at the University of Porto (FLUP), research grant from FCT. Her research is on the Chalcolithic walled enclosure of Castanheiro do Vento, Alto Douro, Portugal. She brings together material culture studies and architectural histories in order to produce an understanding of the nature and temporality of the occupation of this site.

terça-feira, 13 de abril de 2010

PLEISTOCENE DATABASES

Announcement


PLEISTOCENE DATABASES -
ACQUISITION, STORING, SHARING



June 10th - 11th
2010



Location
Neanderthal Museum
Talstraße 300
40822 Mettmann
Germany


Contact
Andreas Pastoors
NESPOS Society e.V. c/o
Neanderthal Museum Foundation
Talstraße 300
D-40822 Mettmann

Phone: +49-(0)2104 9797 - 0
Fax: +49-(0)2104 9797 - 96
Email: info@nespos.org
www.nespos.org <http://www.nespos.org>


For registration, please fill out the application form and send it to the
NESPOS Society before June 1, 2010

We kindly ask to post the workshop in your institution !!


Organized by NESPOS Society e.V.
in cooperation with the Neanderthal Museum Foundation
and the CRC 806 ‚Our way to Europe‘


sábado, 24 de outubro de 2009

Respostas à crise





(Clique na imagem para ampliar)

segunda-feira, 19 de outubro de 2009

The Dis/Order of Things - interdisciplinary workshop on Enlightenment Objects and the Order of Things

Birkbeck Institute for the Humanities

The Dis/Order of Things - interdisciplinary workshop on Enlightenment Objects and the Order of Things

This event includes short talks by British Museum Curators Kim Sloan on the Enlightenment Gallery and Frances Carey on Cook's Hand, then a reading session using Foucault's chapter on 'Classifying' from The Order of Things to think about theorizing an object, and finally a keynote by Simon During (John Hopkins), entitled ‘Lost Objects: Magic and Mystery in the late English Enlightenment’

Saturday 24th October 1.30pm Room B36, Malet Street Building


For further information, including a download of the programme: http://www.bbk.ac.uk/eh/news/afterfoucaultevent
Or email Luisa Cale': l.cale@bbk.ac.uk





Julia Eisner
Administrator
Birkbeck Institute for the Humanities
Birkbeck, University of London
Malet Street
London WC1E 7HX

T: (0) 20 3073 8363
F: (0) 20 3073 8359
E: j.eisner@bbk.ac.uk

domingo, 6 de setembro de 2009

O Corpo Próximo




(Clique na imagem para ler)

segunda-feira, 24 de agosto de 2009

2009 Visualisation in Archaeology (VIA) Workshop

Owing to overseas fieldwork, the VIA organising team has extended the deadline for submissions for the 2009 Workshop until Wednesday, 26 August. Please see details of the event below and on the VIA website: www.viarch.org.uk.

We look forward to your contributions –
Sara Perry
s.e.perry@soton.ac.uk


2009 Visualisation in Archaeology (VIA) Workshop

Visualisation In Context: An Interplay of Practice and Theory

22-23 October 2009

University of Southampton

CALL FOR PAPERS

The 2009 VIA Workshop is designed to probe intersections between theory (which might traditionally be represented in terms of critique -- linear and written) and practice (which might increasingly be expressed in terms of production -- non-linear and visual) within the field of archaeology as well as other disciplines from the humanities and the sciences.

Against the 2009 VIA Workshop’s overall theme – Visualisation in Context: An Interplay of Practice and Theory -- attention will be called to arenas of practice encompassing the commercial, the academic, and the institutional in light of an historic examination of the triangulation between technology, training, and the process of visualisation. Where applicable, sessions will be open to papers featuring a strong project base or by referencing practical case-studies.

Contributors are encouraged to familiarise themselves with the 2008 VIA Workshop Report and to note the online video presentations of past papers -- both are available through the VIA project website www.viarch.org.uk.

SESSION INFORMATION

Session 1:

The Role of Pedagogy and Enskilling in Visual Practice

Chair: Stephanie Moser

This session will explore both the scholarly and the practical provision of visuality-related studies and their relative impact on past, present and future ways of visual-thinking and visual-doing. Contributions may address, but are not limited to, questions such as who undertakes training, what are their competencies, what education/training provision is being offered, why it is being offered, etc; the effects on visualising practice of professional development by way of accredited in-service training programmes; imperatives of identifying skills provision and defining skills levels in the visual domain; and, unravelling tensions between the academy and the workplace.

Session 2:

Toward A Virtual Archaeology?

Chair: Steve Woolgar (tbc)

As the shift in information and communication technologies continues apace, the unimagined possibilities for producing and distributing the results of scholarly research, compared to only a few years ago, demands that the profession examine the rationale and consequences of unanimously adopting technology as an organising principle. Technology is now challenging traditional structures of knowledge production, information exchange, work processes, and educational goals. The likelihood is that we are, all of us, chasing technology -- but to what end? Contributors to this session are invited to assess, amongst other things, the impact of Information and Communication Technology (ICT) on the work place, the academy, and in a wider social setting with particular emphasis on who benefits from the adoption of visual-related digital technologies and why; how visualising technology is actually used and by whom; and, which communities are intended to benefit from the promises of ICT and how is the benefit realised?

Session 3:

Mapping the Effects of Digital Technology on Visualising Process

Chair: Simon James

The digital work environment has profoundly shifted all aspects of working practice, no less so than in the graphics office. This session invites contributions from practitioners and researchers and seeks to examine interactions between image-makers and digital technologies, as well as their resulting effects on the process of image generation; how digital technologies (re)shape our visual engagement with the material world; the impact of theory on the utilisation of digital technology; and, historic perspectives on traditional and digital methods in image-making. Contributors are encouraged to centre their papers on visual material from recent or current projects.

Session 4:

(Inter)Play of Practice and Theory: Case Studies

Chair: Sam Smiles

This session seeks to present papers in the form of case studies which highlight those instances where imaging technologies (whether material or virtual) have been actively involved in shaping comprehension, thus contributing to investigation and analysis in ways that cannot be replicated by other discursive forms (principally textual). Joint papers are invited from contributors who together demonstrate either a practice or a research background, thereby fostering collaborative approaches to the challenges of analysing visual practice and method. An historical dimension to this session will be encouraged by case studies featuring print-based publication and/or digital-based dissemination. Although not a requirement of the session, participants are encouraged to share reflections on their own work and place it in context of their expectations for future developments in the multimedia production of professional and scholarly forms of dissemination.

PROGRAMME

Thursday 22 October 2009

08.00 -- 09.00 Registration and coffee

09.00 -- 12.00 Session 1:

The Role of Pedagogy and Enskilling in Visual Practice

chair: Professor Stephanie Moser

12.00 – 14.00 Lunch

14.00 – 17.00 Session 2:

Toward A Virtual Archaeology?

chair: Professor Steve Woolgar

19.00 Evening meal



Friday 23 October 2009

08.00 – 09.00 Registration and coffee

09.00 – 12.00 Session 3:

Mapping the Effects of Digital Technology on Visualising Process

chair: Dr. Simon James

12.00 – 14.00 Lunch

14.00 – 17.00 Session 4:

(Inter)Play of Practice and Theory: Case Studies

chair: Professor Sam Smiles


ABSTRACT SUBMISSION

The 2009 VIA Workshop welcomes responses related to the themes identified in our current Call for Papers by providing:

- paper title;

- name and contact details (organisation, postal address,

phone number and email);

- 250-300 word abstract;

- session

- brief identifying statement about yourself;

- possible technical requirements for your presentation.





DATES AND DEADLINES

26 August 2009 - Final deadline for abstracts submission.

SUBMISSION GUIDELINES

Submission of abstracts will be entirely electronic and mailed to: garry.gibbons@viarch.org.uk



ACCOMMODATION

Workshop participants will be provided with local hotel accommodation.

Breakfast, lunch, evening meal and workshop refreshments will also be provided.

Transport will be arranged between the hotel and university.

Car parking will be available at the hotel.

ORGANISING COMMITTEE

Garry Gibbons, University of Southampton

Professor Stephanie Moser, University of Southampton

Dr Simon James, University of Leicester

Professor Sam Smiles, University of Plymouth

Professor Steve Woolgar, Said Business School, University of Oxford

Sara Perry, University of Southampton - contact: "Perry S.E." <S.E.Perry@soton.ac.uk>

terça-feira, 19 de maio de 2009

O desenho do corpo na Arte e na Ciência

Caros colegas,

Relembramos que é já amanhã, dia 20 de Maio, no Auditório da Fundação da Faculdade de Ciências da Universidade de Lisboa, o workshop “O desenho do corpo na Arte e na Ciência”, para o qual todos estão convidados.
Este workshop contará com a presença internacional do Professor Maxime Coulombe.




O desenho do corpo na Arte e na Ciência


WORKSHOP | 20 de Maio



Anfiteatro da Fundação da FCUL
Edifício C1, Piso 3




ORGANIZAÇÃO
Centro de Filosofia das Ciências da Universidade de Lisboa
Projecto “A Imagem na Ciência e na Arte” | http://ica.fc.ul.pt/

COLABORAÇÃO
Faculdade de Belas Artes - Universidade de Lisboa
Sociedade Nacional de Belas Artes





PROGRAMA


manhã

10h00 | Cristina Azevedo Tavares - “O desenho do corpo e do gesto na colecção da Sociedade Nacional de Belas-Artes”

10h30 | Alberto Faria - “O Estudo da Anatomia na Colecção de Desenho Antigo da FBAUL”

11h00 | Cristina Branco - “Cartografia do corpo I”

11h30 | Coffee break

12h00 | Margarida Calado - “Desenhar o corpo - uma metodologia de ensino constante na arte ocidental”
12h30 | Palmira Fontes Costa - “A representação do corpo hermafrodita em obras médicas dos século XVI ao século XVIII"

tarde

15h00 | Nuno Nabais - “O corpo nú e a ideia de ciência”

15h30 | Marta de Menezes - "O corpo obsoleto: arte contemporânea ligada às ciências biomédicas"

16h00 | Isabel Ritto - “Dürer, um pioneiro da antropometria“

16h30 | Catarina Nabais - “O corpo sem órgãos segundo Gilles Deleuze”

17h00 | Coffee break

17h30 | Luísa Arruda - “As imagens do corpo no ensino artístico da Academia de Belas - Artes de Lisboa”

18h00 | Maxime Coulombe - “Dreaming of the Future Body: Posthuman Art and
Technological Fascination”


Com os nossos melhores cumprimentos,


Projecto Imagem na Ciência e na Arte (http://ica.fc.ul.pt)
Faculdade de Ciências, Universidade de Lisboa
Centro de Filosofia das Ciências (http://cfcul.fc.ul.pt)
Campo Grande, Edifício C4, 3º piso, sala 4.3.26, 1749-016 Lisboa, Portugal
Tel. +351 21 7500 701 (4326)

I Workshop Antropologia e Imagens

I Workshop Antropologia e Imagens
Auditório Municipal de Ponte da Barca (Portugal), 9 e 10 de Junho de 2009
http://www.agir.pt




Reflectir sobre as imagens em antropologia é confrontar-se com os múltiplos sentidos do conceito de imagem, com os media historicamente determinados (o corpo como médium) e os processo de mediação tecnológica, com a cada vez maior inseparabilidade entre imagens e sonoridades (vozes, imagens sonoras, paisagens sonoras) com as práticas desenvolvidas ao longo da histórias das tecnologias do som e da imagem e profundas mudanças introduzidas pelas tecnologias digitais e com as práticas da antropologia – trabalho de campo e as escritas da antropologia (construção do discurso) e consequentemente com as questões teóricas, éticas e epistemológicas. O Cinema é lugar específico para o estudo da antropologia das imagens mas também o resultado dominante das práticas da antropologia visual e mais ainda para estudar as analogias entre o cinema e a antropologia na medida em que ambos se interrogam sobre a realidade, sobre a multiplicidade de pontos de vista e impossibilidade de sua sobreposição, sobre a forma como modelam o sensível ou prestam atenção ao detalhe, ao efémero, ao frágil.

Pretende-se neste workshop a apresentação de trabalhos de reflexão teórica sobre as imagens como objecto e instrumentação da pesquisa antropológica e a apresentação da produção audiovisual e hipermédia resultantes da investigação antropológica. Desta será apresentada uma mostra.

Este evento integra a quinta edição do Congresso Internacional sobre Etnografia, promovido pela AGIR – Associação para a Investigação e Desenvolvimento Sócio-cultural com o apoio da Associação Desportiva "Os Britelenses".


Temas
• América Latina

• Temas do V Congresso Internacional sobre Etnografia:

‣ Antropologia da Paz

‣ Arte e Criatividade

‣ Cidade e Culturas Urbanas

‣ Comunidades Virtuais

‣ Democracia e Relações Institucionais

‣ Desenvolvimento Rural

‣ Diáspora, Migrações e Fronteira

‣ Etnografia das Técnicas

‣ Etnografia do Desporto e Espectáculo

‣ Etnografia em Educação

‣ Etnografia em Novos Contextos

‣ Etnografia em Saúde

‣ Família, Relações Familiares e Casamentos

‣ Género, Sexualidade, Corpo

‣ Metodologia Etnográfica

‣ Narrativas Visuais/Digitais

‣ Património Material/Imaterial


Comissão Científica
• Anastasia Tellez Infante, Universidad Miguel Hernández de Elche (Espanha)

• Casimiro Pinto, Laboratório de Antropologia Visual - CEMRI/Universidade Aberta (Portugal)

• Christine Escallier, Universidade da Madeira (Portugal)



Fernando Cruz, Instituto de Sociologia/Faculdade de Letras da Universidade do Porto (Portugal)
• Javier Eloy Martínez Guirao, Universidad Miguel Hernández de Elche (Espanha)

• Joám Evans Pim, Universidade de Santiago de Compostela (Espanha)

• Joel Mata, Universidade Lusíada (Portugal)

• José da Silva Ribeiro, Laboratório de Antropologia Visual – CEMRI/Universidade Aberta (Portugal)

• Liliana Rodrigues, Universidade da Madeira (Portugal)

• Maria Fátima Nunes, Laboratório de Antropologia Visual – CEMRI/Universidade Aberta (Portugal)

• Ricardo Campos, Centro em Rede de Investigação em Antropologia – Pólo ISCTE (Portugal)

• Sofia Neves, Instituto Superior da Maia (Portugal)

• Vanda Silva, Instituto de Ciências Sociais, da Universidade de Lisboa (Portugal)/ Centro de Estudos Rurais, no Instituto de Filosofia e Ciências Humanas/ UNICAMP (Brasil)

• Virgilio González Fernández, Universidad de Granada (Espanha)



Resumos e Comunicações
Resumos: Os resumos deverão ser elaborados em duas das línguas oficiais do Congresso (Português, Espanhol, Inglês e Francês) e deverão conter 250 a 350 palavras, título provisório, tema, nome do autor, instituição, palavras-chave. O texto do resumo deverá indicar sumariamente os objectivos da comunicação, enquadramento teórico, metodologia empregue na investigação e resultados eventualmente obtidos.

Envio do resumo por e-mail (em alternativa: disquete ou CD-Rom), até 12 de Maio de 2009.

Apresentação dos textos (resumos e comunicações): Word 97/2000/XP; Times New Roman; tamanho 12; espaçamento entre linhas de 1,5 linhas.



Envio de DVD’s: até 12 de Maio de 2009.



Comunicações escritas: Título definitivo, nome do autor, instituição, palavras-chave, referências bibliográficas, até 30 páginas A4, em disquete/CD-Rom ou e-mail, Word 97/2000/XP, Times New Roman, tamanho 12, espaçamento entre linhas de 1,5 linhas.

Envio das comunicações escritas por e-mail (em alternativa: disquete ou CD-Rom), até 10 de Junho de 2009.



Comunicações orais: serão seleccionados para comunicações orais com duração mínima de 12 minutos, os resumos que obedeçam aos requisitos gerais enunciados para os mesmos e cujos participantes se encontrem inscritos no evento, apenas para esta modalidade, até 12 de Maio de 2009.


Outras informações:
Para todas as apresentações orais serão disponibilizados os seguintes meios: projector multimédia e computador, projector de diapositivos e retroprojector de acetatos.

A avaliação dos resumos será feita pela Comissão Científica e os resumos seleccionados serão publicados nas actas do Congresso. Os autores com resumos seleccionados serão informados por e-mail da aceitação dos mesmos.

A Comissão Organizadora informa ainda que reserva a aceitação definitiva dos resumos de pessoas inscritas no mesmo. Mais informa que não dispõe de recursos para financiar os participantes, pelo que solicita aos mesmos que providenciem recursos, para garantir a sua vinda.

A cedência de DVD’s com filmes, documentários e outros para integrarem o V Congresso Internacional sobre Etnografia/I Workshop Antropologia e Imagens pressupõe a cedência graciosa dos mesmos para serem exibidos no referido evento.


Inscrição
Até 10 de Maio de 2009[1] http://mail.google.com/mail/?ui=2&view=js&name=js&ver=SbToXU8jkZ0.pt_BR.&am=b9EwpczncKG5B91i0PQ2RmRyPaWRsA#_ftn1 :

· Associados: 15 euros

· Participantes com comunicação: 40 euros

· Participantes sem comunicação: 20 euros

· Estudantes de licenciatura (sem comunicação): 10 euros

Contacto:

AGIR - Associação para a Investigação e Desenvolvimento Sócio-cultural

Apartado 4021

4000-101 Porto

Portugal



ou

agir.associacao@gmail.com

Após o dia 10 de Maio de 2009 acresce o valor de cinco euros.

Linhas Corpóreas

WORKSHOP de MOVIMENTO E FILOSOFIA
Linhas Corpóreas
com ANA MIRA



Datas | 13 e 14 Junho
Horário | 14h - 19h30 (com meia hora de pausa)
Local | Espaço NEC

Público-alvo | Aberto a pessoas com interesse nas áreas do movimento do corpo e do pensamento.

Inscrição | 40 Euros
Amigos e associados NEC | 28 Euros (desconto de 30%)
Nota:: Inscrições até ao dia 8 de Junho
Desistências após dia 10 de Junho implicam a devolução de apenas 50% do valor pago.
Desistências a partir do 1º dia do workshop não implicam qualquer tipo de devolução.

Aconselhamos a leitura do livro: Manning, Erin. 2007. Politics of Touch. Sense, Movement, Sovereignty. U.S.A.: University of Minnesota Press, disponível para compra na internet.


+ info:

http://www.anafonsecamira.blogspot.com
www.erinmovement.com



Imagem videográfica de Sofia Borges

Workshop de Movimento e Filosofia
Propõe-se um livro: Manning, Erin. 2007. Politics of Touch. Sense, Movement, Sovereignty. U.S.A.: University of Minnesota Press. Este livro é sobre aquilo que fazemos e surge no seguimento da pergunta feita por Spinoza: que pode um corpo fazer? Os corpos estendem nas suas matrizes relacionais.
Este workshop é sobre o corpo que sente em movimento. Interessa-nos seguir o pensamento da autora Erin Manning, seguir o movimento do nosso próprio pensamento, o movimento do corpo — seguir o movimento do próprio movimento, corporeamente.
Sobre o livro, serão analisados em grupo alguns extractos recorrendo a: construção de diagramas com o intuito de compreender os conceitos e visões propostas; leituras e discussão.
Sobre a prática, começamos por nos situar num lugar de relação, seja consigo mesmo ou com o outro, fazendo uso da escuta e do toque. Nesta prática o corpo tende a transformar-se qualitativamente e a formar espacio-temporalidades. Neste workshop, veremos como do estudo filosófico e do sentir se passa a estados composicionais e de presença do corpo.
[O workshop assenta numa investigação que tenho vindo a realizar nos âmbitos do corpo, dança contemporânea e filosofia. Serão estudados alguns conceitos filosóficos sempre relacionados com uma abordagem ao corpo e a prática consiste numa pesquisa de movimento. Não é necessária experiência em dança nem formação em filosofia.]



Ana Mira
Lisboa, 1976.
Investigadora, bailarina e coreógrafa. Dedica-se à investigação no campo da dança e da filosofia materializando-a na performance, na escrita e no ensino.
Fez a sua formação artística em dança no Fórum Dança e C.E.M. em Lisboa, no Dance Studio Pauline de Groot em Amesterdão, entre outros lugares. Tem formação académica em Animação Sociocultural (Licenciatura) e Estética/Filosofia (Mestrado) da Univ. Nova de Lisboa. Destaca a influência do trabalho de Steve Paxton, Lisa Nelson, Russell Dumas, entre outros.
As suas últimas criações foram Dueto (2006) e Três Estudos para Shihtao (2007), ambas estreadas em Lisboa.
Em 2008 desenvolveu um projecto de investigação em Nova Iorque com uma bolsa PAD/Fundação C. Gulbenkian onde estudou em Performance Studies/Tisch School of the Arts/NYU, Trisha Brown Studio, Movement Research e pesquisou na New York Public Library for the Performing Arts.
Presentemente realiza uma colaboração com Sofia Neuparth para uma performance a estrear em Julho 2009 e prepara o estudo e a adaptação do solo de Deborah Hay (SPCP), juntamente com Margarida Bettencourt, a estrear em Janeiro 2010. Paralelamente, lecciona dança contemporânea no Fórum Dança, C.E.M., Espaço Evoé, Faculdade de Motricidade Humana, entre outros.





Organização | NEC

O NEC é uma estrutura financiada pelo Ministério da Cultura / Direcção-Geral das Artes


Núcleo de Experimentação Coreográfica
Fábrica Social - Fundação Escultor José Rodrigues
Rua da Fábrica Social, s/n
4000-201 Porto
Tmóvel: 913211428 :: 961424668
nec@nec.co.pt
www.nec.co.pt

quarta-feira, 6 de maio de 2009

Current Archaeological theory

Greetings! 


 


University of the Magdalena, World Archaeological Congress, Fulbright Colombia and the Colombian Society of Archaeology invite to the Workshop "Current Archaeological theory" oriented by Dr. Joan Gero. This Workshop will be held the week of the 25th of May at Santa Marta, Colombia. This Workshop is directed mainly to students of last semesters in anthropology (no excluding) from Colombia and near countries that find important to discuss some subjects and/or topics with Dr Gero having in account the theoretical trajectory of Professor Gero. The workshop wants expand the horizons of research of the students and is our desire that from the discussions we could to publish a Dossier in our journal called Jangwa Pana (Knowledge in local language). 


For all the students interested we require a short application with the following information:


A. The subject that the students wants to discuss with the Dr. Gero. 


B. Economic Possibilities to attend the workshop. 


C. Requirements to attend the workshop (e.g. lodging and feeding).


 


Note: By the program archaeologist without borders of WAC we will be able to offer a short financial aid for cover some cost of travelling, lodging and feeding. All those applicants must be full paid member of WAC.


 


The deadline for the applications is: 15th may.


 


Please send the information to the following email: wilhelmlondono@gmail.com 


 


In order to expand the number of participants we will very grateful for any kind of donations. These ones could be send directly to WAC.


 


Thanks a lot,


Wilhelm Londono


Department of Anthropology

University of Magdalena



Source: WAC List

terça-feira, 17 de junho de 2008

Visualisation in Archaeology


Visualisation in Archaeology
EH Project No: 5172MAIN


2008 Workshop
Call for Papers



Visualisation and Knowledge Formation
________________________________
23-24 October 2008

Archaeology
School of Humanities
University of Southampton
Avenue Campus
Highfield
Southampton
SO17 1BJ


Visualisation in Archaeology
funded by
English Heritage
under the HEEP scheme.

www.viarch.org.uk

Visualisation and Knowledge Formation
23-24 October 2008
University of Southampton


The Visualisation in Archaeology (VIA) project examines the process of visually representing knowledge in archaeology. In addition to outlining a historical and theoretical foundation for this process, we aim to provide strategic and practical guidelines for visualising practices in the discipline. This includes looking at the diverse range of visual media employed by archaeologists in order to disseminate and communicate the results of archaeological investigations (e.g. section drawings, artefact illustration, schematic diagrams, photography, traditional and VR reconstructions, etc).

The VIA project centres on a series of annual workshops. This 2008 workshop represents the first in a series of three, all of which are designed to foster cross-disciplinary research, debate and analysis. Each workshop will centre on a main theme, and each theme will build upon the problems and innovations explored across VIA’s period of tenure.

The main theme of the 2008 Workshop – Visualisation and Knowledge Formation – will lay the groundwork for VIA’s future meetings and related productions, including an international conference at the University of Southampton in 2010.

Call for Participation
Participants from any discipline are encouraged to contribute in order to create an open forum for knowledge exchange and a fertile environment for discussion relating to the topic of Visualisation and Knowledge Formation. Researchers or practitioners are invited to submit papers on original work from within archaeology although contributions are particularly encouraged from other disciplines which address and inform key issues in the context of the following sub-themes:

- Where is visualisation in archaeology today?
- How does visualisation communicate?
- How did visualisation in archaeology develop?
- Seeing a way forward?

Papers will provide the overarching structure for four consecutive sessions of presentation and dialogue to be held over two days. Participants are asked to circulate full versions of their papers to the Workshop chairs in advance of the event. Sessions will feature 15 minute oral presentations of the papers followed by debate and discussion amongst all registrants. Over the two-day period, participants are invited to actively engage in every component of the Workshop.

Outcomes of the dialogue will feed into the VIA’s online academic resource and a series of working reports and best practice models to be produced over the next three years.





Organising Committee
Professor Stephanie Moser, University of Southampton
Dr Simon James, University of Leicester
Professor Sam Smiles, University of Plymouth
Professor Steve Woolgar, Said Business School, University of Oxford
Garry Gibbons, University of Southampton
Sara Perry, University of Southampton


Programme
Thursday 23 October 2008
08.00 -- 09.00 Registration and coffee
09.00 -- 12.00 Session 1: Where is visualisation in archaeology today?
chair: Professor Stephanie Moser
12.00 – 14.00 Lunch
14.00 – 17.00 Session 2: How does visualisation communicate?
chair: Professor Steve Woolgar
19.00 Evening meal

Friday 24 October 2008
08.00 – 09.00 Registration and coffee
09.00 – 12.00 Session 3: How did visualisation in archaeology develop?
chair: Professor Sam Smiles
12.00 – 14.00 Lunch
14.00 – 17.00 Session 4: Seeing a way forward?
chair: Dr Simon James
19.00 Evening meal

Abstract Submission
Abstracts should contain the title of paper, name(s) of author(s), organisation, contact details, and a 300 word summary.

Paper Submission
Within the theme of Visualisation and Knowledge Formation, and with attention to one of the four workshop sub-themes, we are inviting papers that will offer new findings arising from current research AND/OR will speak to innovative ways of making research accessible to various audiences (with special emphasis on management, outcomes and lessons learned).

Submission Guidelines
Submission of abstracts and papers will be entirely electronic and mailed to:
garry.gibbons@viarch.org.uk





Dates and Deadlines
25 July 2008
Final deadline for abstracts submission.

8 August 2008
Notification of acceptance.

12 September 2008
Final deadline for submission of full manuscript.

19 September 2008
Final deadline for online registration.

Accommodation
Workshop participants will be provided with local hotel accommodation.
Breakfast, lunch, evening meal and workshop refreshments will be provided by the workshop organisers. Transport will be arranged between the hotel and university.
Car parking will be available at the university.

Contact
garry.gibbons@viarch.org.uk