Transferência "(...) A PSICANÁLISE INVENTOU DE FACTO UMA NOVA FORMA DE AMOR CHAMADA TRANSFERÊNCIA." JACQUES-ALAIN MILLER (Lacan Dot Com)
Mostrar mensagens com a etiqueta philosophy. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta philosophy. Mostrar todas as mensagens
quinta-feira, 5 de março de 2009
Giorgio Agamben. What is a Paradigm 2002 Lecture 4/10
Source: http://www.youtube.com/watch?v=Jh-ZXA6SjOQ
Agamben is certainly one of the more brilliant thinkers today! I feel fascinated by the extreme rigour of his insights!
quarta-feira, 4 de março de 2009
Giorgio Agamben. What is a Paradigm 2002 Lecture 1/10
http://www.egs.edu/ Giorgio Agamben, asking what is a paradigm, philosophy, epistemology, Methodology, Figures and phenomena, techniques, patterns and members, the Muselmann, Homo sacer, the State of exception, Michel Foucault, development capability of philosophy, philosophical element, Entwicklungsfähigkeit, ignorance, potential. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2002, Giorgio Agamben.
Giorgio Agamben born 1942 is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf. Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006.
Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Heraclitus and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though without as yet inflecting them in a specifically political direction. In 1974--1975 he was a fellow at the Warburg Institute, where he wrote Stanzas 1979. Close to Elsa Morante, on whom he has written, Pier Paolo Pasolini in whose The Gospel According to St. Matthew he played the part of Philip, Italo Calvino, Ingeborg Bachmann, Pierre Klossowski, Jean-Luc Nancy, Jacques Derrida, and Jean-François Lyotard, his strongest influences include Walter Benjamin, whose complete works he edited in Italian translation, and the German jurist Carl Schmitt, whom he frequently cites. Agamben's political thought draws on Michel Foucault and on Italian neo-Marxist thought. In his published writings and interviews he represents himself as a public thinker interested in language and social conflicts on a global scale.
Stanzas: Word and Phantasm in Western Culture. University of Minnesota Press 1993, Infancy and History: The Destruction of Experience 1993, The Coming Community 1993, Idea of Prose 1995, Homo Sacer: Sovereign Power and Bare Life. Stanford University Press 1998, The Man without Content 1999, The End of the Poem: Studies in Poetics 1999, Potentialities: Collected Essays in Philosophy 1999, Means without Ends: Notes on Politics 2000, Remnants of Auschwitz: The Witness and the Archive 2000, The Open: Man and Animal 2004, State of Exception 2005, The Time That Remains: A Commentary On The Letter To The Romans 2005, Various articles published by Multitudes, The State of Emergency, extract from a lecture given at the Centre Roland Barthes-University of Paris VII, Denis Diderot, Italian Nei campi dei senza nome, Il Manifesto, 1998 November 3, French Gênes et la peste Genoa and the plague, L'Humanité, 2001 August 27.
Source:http://www.youtube.com/watch?v=G9Wxn1L9Er0&feature=PlayList&p=CF392ACBD0F37EFE&index=0&playnext=1
GENIAL
segunda-feira, 26 de janeiro de 2009
domingo, 25 de janeiro de 2009
Jacques Derrida (1 0f 8)
Source: http://www.youtube.com/watch?v=BatmIWsU_4c&feature=PlayList&p=6951CD38BD5AB7A7&index=0%20%3C
terça-feira, 7 de outubro de 2008
Alain Badiou European Graduate School 2008 1
http://www.egs.edu/ Alain Badiou speaking about love. Public open video lecture for the faculty and students of the European Graduate School, Media Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2008. Alain Badiou. Alain Badiou, born 1937, in Rabat, Morocco is a prominent French Left-wing philosopher. Alain Badiou, Ph.D, Rene Descartes Chair at EGS, was a student at the école Normale Supérieure in the 1950s. He taught at the University of Paris VIII (Vincennes-Saint Denis) from 1969 until 1999, when he returned to ENS as the Chair of the philosophy department. He continues to teach a popular seminar at the Collège International de Philosophie, on topics ranging from the great antiphilosophers Saint-Paul,Paul the Apostle, Friedrich Wilhelm Nietzsche, Ludwig Wittgenstein, Jacques Lacan to the major conceptual innovations of the twentieth century. Much of Badiou's life has been shaped by his dedication to the consequences of the May 1968 revolt in Paris. Long a leading member of Union des jeunesses communistes de France (marxistes-léninistes), he remains with Sylvain Lazarus and Natacha Michel at the centre of L'Organisation Politique, an organization concerned with direct popular intervention in a wide range of issues including immigration, labor, and housing. Alain Badiou is the author of several successful novels and plays as well as more than a dozen philosophical works including: Philosophy, Le concept de modèle 1969, Théorie du sujet 1982, Peut-on penser la politique? 1985, L'Être et l'Événement 1988, Manifeste pour la philosophie 1989, Le nombre et les nombres 1990, Conditions 1992, L'Éthique 1993, 2005, Deleuze 1997, Saint Paul. La fondation de l'universalisme 1997, 2002, Abrégé de métapolitique 1998, Court traité d'ontologie provisoire 1998, Petit manuel d'inesthétique 1998, D'un désastre obscur 1998, Logiques des mondes. L'être et l'événement, 2. 2006. Badiou wrote several dramas and critical or political essays including Rhapsodie pour le théâtre 1990, Beckett, l'increvable désir 1995, Le Siècle 2005; Literature and drama: Almagestes 1964, Portulans 1967, L'Écharpe rouge 1979, Ahmed le subtil 1994, Ahmed Philosophe, followed by Ahmed se fâche 1995, Les Citrouilles, a comedy 1996, Calme bloc ici-bas 1997; Political essays: Théorie de la contradiction 1975, De l'idéologie, with F. Balmès 1976, Le Noyau rationnel de la dialectique hégelienne, with L. Mossot and J. Bellassen 1977, Circonstances 1 2003, Circonstances 2 2004, Circonstances 3 2005. Several articles and essays have been translated into English: Art as a Place for Politics Video - Pratt Institute, Brooklyn, 11/16, 2006, Truth Procedure in Politics Video - Abreu Gallery, New York, 11/18, 2006, Truth Procedure in Art Video - Tilton Gallery, New York, 11/17, 2006, Jacques Lacan's Seminar On Anxiety Video - The Drawing Center, New York, 03/07, 2006,The Contemporary Figure of the Soldier in Politics and Poetry, UCLA, Destruction, Negation, Subtraction Art Center College of Design - Pasadena,The Uses of the Word "Jew", The Adventure of French Philosophy, Behind the Scarfed Law, There is Fear On the French headscarf ban, Bodies, Languages Truths, The Cultural Revolution: The Last Revolution , Democratic Materialism and the Materialist Dialectic, The Desire for Philosophy and the Contemporary World, Destruction, Negation, Subtraction - on Pier Paolo Pasolini, Eight Theses on the Universal, An Essential Philosophical Thesis: "It Is Right to Rebel against the Reactionaries" , The Event in Deleuze , Fifteen Theses on Contemporary Art, The Formulas of L'Etourdit, The Factory as Event Site, Further Selections from Théorie du sujet on the Cultural Revolution , Highly Speculative Reasoning on the Concept of Democracy from Metapolitics, Lacan and the Pre-Socratics, A Musical Variant of the Metaphysics of the Subject , Number and Numbers, On the European Constitution, On the Truth-Process, One Divides into Two On Lenin, Philosophical Considerations of the Very Singular Custom of Voting, Philosophy as Creative Repetition, Philosophy and Politics, The Political as a Truth Procedure from Metapolitics, Politics: a Non-expressive Dialectics , The Scene of Two English translation from De l'amour, Selections from Théorie du sujet on the Cultural Revolution , The Subject of Art Deitch Projects, New York, 1 April 2005, The Triumphant Restoration , What Happens On Beckett; , What is to be Thought What is to be Done On the 2002 French elections; written by Badiou, Sylvain Lazarus and Natasha Michel, A Musical Variant of the Metaphysics of the Subject, The Event in Deleuze, What is a Philosophical Institution, What is Love.
Source: http://www.youtube.com/watch?v=I3WeGUCzaDA
quarta-feira, 24 de setembro de 2008
Giorgio Agamben - On Contemporaneity. Video Lecture European Graduate School EGS 2007 1/4
http://www.egs.edu/
Giorgio Agamben speaking about the notion of contemporaneity, what does it mean be contemporary, Friedrich Wilhelm Nietzsche, paradigm, anachronism to the present, history, demands of the time, distancing from and belonging to a period, a relationship to time, Alain Badiou, the century, personal experience, blood, and life, historical collective time, the beast, backbone. Free public open philosophy and politics lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007, Giorgio Agamben.
Giorgio Agamben, born 1942, is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf.
Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006. Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Heraclitus and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though without as yet inflecting them in a specifically political direction. In 1974--1975 he was a fellow at the Warburg Institute, where he wrote Stanzas 1979.
Close to Elsa Morante, on whom he has written, Pier Paolo Pasolini in whose The Gospel According to St. Matthew he played the part of Philip, Italo Calvino, Ingeborg Bachmann, Pierre Klossowski, Jean-Luc Nancy, Jacques Derrida, and Jean-François Lyotard, his strongest influences include Walter Benjamin, whose complete works he edited in Italian translation, and the German jurist Carl Schmitt, whom he frequently cites. Agamben's political thought draws on Michel Foucault and on Italian neo-Marxist thought.
In his published writings and interviews he represents himself as a public thinker interested in language and social conflicts on a global scale.
Stanzas: Word and Phantasm in Western Culture. University of Minnesota Press 1993,
Infancy and History: The Destruction of Experience 1993,
The Coming Community 1993, traduzido em português
Idea of Prose 1995, traduzido em português
Homo Sacer: Sovereign Power and Bare Life. Stanford University Press 1998, traduzido em português
The Man without Content 1999,
The End of the Poem: Studies in Poetics 1999,
Potentialities: Collected Essays in Philosophy 1999,
Means without Ends: Notes on Politics 2000,
Remnants of Auschwitz: The Witness and the Archive 2000,
The Open: Man and Animal 2004,
State of Exception 2005,
The Time That Remains: A Commentary On The Letter To The Romans 2005, Various articles published by Multitudes,
The State of Emergency, extract from a lecture given at the Centre Roland Barthes-University of Paris VII, Denis Diderot, Italian Nei campi dei senza nome, Il Manifesto, 1998 November 3, French Gênes et la peste Genoa and the plague, L'Humanité. Saas Fee August 2007
Giorgio Agamben, born 1942, is an Italian philosopher who teaches at the Università IUAV di Venezia, the Collège International de Philosophie in Paris and previously at the University of Macerata in Italy. He also has held visiting appointments at several American universities, European Graduate School and at Heinrich Heine University, Düsseldorf.
Agamben's best known work includes his investigations of the concepts of state of exception and homo sacer. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006. Agamben was educated at the University of Rome, where he wrote a thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars on Heraclitus and Hegel in 1966 and 1968. In the 1970s he worked primarily on linguistics, philology, poetics, and medievalist topics, where he began to elaborate his primary concerns, though without as yet inflecting them in a specifically political direction. In 1974--1975 he was a fellow at the Warburg Institute, where he wrote Stanzas 1979.
Close to Elsa Morante, on whom he has written, Pier Paolo Pasolini in whose The Gospel According to St. Matthew he played the part of Philip, Italo Calvino, Ingeborg Bachmann, Pierre Klossowski, Jean-Luc Nancy, Jacques Derrida, and Jean-François Lyotard, his strongest influences include Walter Benjamin, whose complete works he edited in Italian translation, and the German jurist Carl Schmitt, whom he frequently cites. Agamben's political thought draws on Michel Foucault and on Italian neo-Marxist thought.
In his published writings and interviews he represents himself as a public thinker interested in language and social conflicts on a global scale.
Stanzas: Word and Phantasm in Western Culture. University of Minnesota Press 1993,
Infancy and History: The Destruction of Experience 1993,
The Coming Community 1993, traduzido em português
Idea of Prose 1995, traduzido em português
Homo Sacer: Sovereign Power and Bare Life. Stanford University Press 1998, traduzido em português
The Man without Content 1999,
The End of the Poem: Studies in Poetics 1999,
Potentialities: Collected Essays in Philosophy 1999,
Means without Ends: Notes on Politics 2000,
Remnants of Auschwitz: The Witness and the Archive 2000,
The Open: Man and Animal 2004,
State of Exception 2005,
The Time That Remains: A Commentary On The Letter To The Romans 2005, Various articles published by Multitudes,
The State of Emergency, extract from a lecture given at the Centre Roland Barthes-University of Paris VII, Denis Diderot, Italian Nei campi dei senza nome, Il Manifesto, 1998 November 3, French Gênes et la peste Genoa and the plague, L'Humanité. Saas Fee August 2007
Source: http://www.youtube.com/watch?v=GsS9VPS_gms
terça-feira, 19 de agosto de 2008
Slavoj Žižek - Structures on the Streets (part 3/6)
Source: http://br.youtube.com/watch?v=VS4HviP5gzI&feature=related
segunda-feira, 18 de agosto de 2008
Slavoj Žižek - Structures on the Streets (part 2/6)
Source: http://br.youtube.com/watch?v=n8oT8fL32so&feature=related
Slavoj Žižek - Structures on the Streets (part 1/6)
A lecture by Slavoj Žižek on the 8. conference of managment - EURAM 2008 in Ljubljana.
Source: http://br.youtube.com/watch?v=7TR7gzs0cXE&feature=related
terça-feira, 17 de junho de 2008
The Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity (Paperback)

by Christine Battersby
Paperback: 236 pages
Publisher: Routledge (Mar 1998)
Language English
ISBN-10: 0415920361
ISBN-13: 978-0415920360
"Professor Margaret Whitford, University of London:
"The Phenomenal Woman is a startlingly original work of philosophy. In her construction of a new metaphysics, which takes the woman as norm in definitions of self, personhood and identity, Christine Battersby contests the conceptualization of the Kantian subject. Taking the risk of (re)constructive philosophy, she offers a challenge to postmodernist feminisms and their reliance on what she describes as the 'despairing epistemology' of deconstructive postmodernism. Firmly grounded in the history of philosophy, Christine Battersby's book offers a new impetus and direction to feminists working in philosophy."
Dr Kathleen Lennon, University of Hull:
"In this philosophically rich text Christine Battersby moves issues of metaphysics and ontology to the centre stage of feminist concern, correcting a preoccupation with epistemology which has been dominant in feminist philosophy during the last decade. Whether we agree or disagree, this challenging book will now form the point from which future discussions of female subjects must depart."
Source: http://www.amazon.co.uk/gp/product/0415920361/ref=sib_rdr_dp
"The Phenomenal Woman is a startlingly original work of philosophy. In her construction of a new metaphysics, which takes the woman as norm in definitions of self, personhood and identity, Christine Battersby contests the conceptualization of the Kantian subject. Taking the risk of (re)constructive philosophy, she offers a challenge to postmodernist feminisms and their reliance on what she describes as the 'despairing epistemology' of deconstructive postmodernism. Firmly grounded in the history of philosophy, Christine Battersby's book offers a new impetus and direction to feminists working in philosophy."
Dr Kathleen Lennon, University of Hull:
"In this philosophically rich text Christine Battersby moves issues of metaphysics and ontology to the centre stage of feminist concern, correcting a preoccupation with epistemology which has been dominant in feminist philosophy during the last decade. Whether we agree or disagree, this challenging book will now form the point from which future discussions of female subjects must depart."
Source: http://www.amazon.co.uk/gp/product/0415920361/ref=sib_rdr_dp
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